Ousted Special Bitter

In order to continue to better understand the character of it, and in an effort to use what I had on hand, I chose to step up the remaining wlp023 (Burton Ale yeast) that I had chilled in the fridge and make some ESB (Extra Special Bitter), style 8C in the BJCP guidelines. Where this is now thought to be a strong beer in its home country, as compared to the lower gravity bitter, and special bitter styles, the ESB would otherwise likely be considered a relatively low alcohol in the states.

Given the deluge of hugely hopped DIPAs and Imperial stouts that have become the norm, I've been retreating to the more moderate, but still subtly complex and extremely flavorful English pub beers. Still, it was tough to go to the other end of the extreme. To get away from the big-is-good American attitude just didn't happen...my original intentions were outsted. I wanted to start with the very basics and brew a truly quaffable proper ordinary bitter. But that would have left me with a couple pounds of Golden Promise, and what am I going to do with just a couple pounds of British pale ale malt, right?

Just throw it all in, change the specialty grain profile, and I'll have an ESB. After all, my buddies are always helping me drink these beers, and just like most Americans, they've been trending toward the big-bigger-biggest beers. I didn't want anything 'Ordinary' passed over for something bigger. Also, I've never been to England, so I really don't have much to to compare it to as ordinary bitters generally don't exist here in the States. I generally will learn the most about brewing a particular style if I have some of the better rated and/or personally preferred commercial examples to taste alongside the homebrew.

My first crack at the style recipe was formulated after consulting my new copy of Jamil's Brewing Classic Styles, and the well worn but still venerable Designing Great Beers by Lewis. While Jamil's recipe called for some low Lovibond Crystal malt (C15), I've tasted some ESBs, and generally my favorites thus far had a nice luscious mouthfeel, caramelized malty sugars (leaving the impression of caramel-y more so than sweet), wonderfully fruity and complimentary British yeast, a touch of roast, and a pared down/just-enough-to-balance-everything residual sweetness on the finish. Hops are firm but never harsh. They are intended to be woodsy, a touch of spice and earth, but nice and snappy on the finish to make you want to take another mouth filling sip. Kent Goldings are classic here, but I went with the ultra fresh (and Americanized version) 2009 Hops Direct Willamette.

Restrained carbonation to allow a proper session and reduced stomach protrusion.

Here are the specialty grains. Each are added to the big measuring cup, after taring the digital weight scale. Interesting how the flaked grains take up much more volume than an equivalent weight of crystal malt. You can see the relatively small amount of roasted malt (in this case Carafa III, which is 525L) at the top of the cup. This German malt should add that smooth roast background that I'm looking for, as well as provide some aging protection that I've heard so many anecdotal stories about.

I did add some Calcium Chloride to my strike water, in order to assure adequate Calcium (enough for ~50ppm).

On to the recipe...nothing crazy here, aside from perhaps the somewhat unusual addition of the flaked wheat. Its been added to hopefully help generate a smooth as silk mouthfeel, which I hope will be accentuated by the intended low CO2 volume in the bottle. This was recommeded by Dann Paquette in his recipe for a Yorkshire Bitter (which appears to nimbly straddle the ordinary/special threshold) in his discussions w/ the BrewLocal guys, so I figure that the wheat will help to prop up the body and head retention which can be a little problematic in a low CO2 beer. I have flaked wheat on hand, so I used that vs. torrified. But, as is probably expected, I'll probably 'go American', and wimp out, carb in the low 2s vs the more style appropriate high 1s.

Mashed at a bigger-bodied ~154-155 in my 10 gallon HDPE cooler.

This "Ousted Special Bitter' is already happily fermenting away at ~66F less than 24hours from pitching, but certainly has not yet hit high krausen. This beast of a yeast blew the lid off the last batch I fermented, and I suspect the vigorous krausen will make a second appearance here. I continue to tempt fate with the ill advised combination of 1. not-quite-enough of a headspace in the fermenter and 2. 3 piece airlock. What the hell is my problem?

Things still look quite calm (don't they always right before disaster?). I'll likely move the bucket away from the small cool microenvironment where its situated now, to raise the temp to ~68-69F ambient after the first 48hrs to ensure complete attenuation. If all goes well with batch 2 of the pot&kettle and this OSB, I'll likely make this yeast my house British strain, and add another selection to the yeast bank.

OSB

Extra Special/Strong Bitter (English Pale Ale)

Type: All Grain	Date: 12/26/2009
Batch Size: 6.00 gal	Brewer: JC
Boil Size: 6.87 gal	Asst Brewer:
Boil Time: 60 min	Equipment: My Equipment
Taste Rating(out of 50): 35.0	Brewhouse Efficiency: 70.00
Taste Notes:
Ingredients
Amount Item Type % or IBU 12 lbs Pale Malt (2 Row) UK (3.0 SRM) Grain 90.09 % 8.0 oz Caramel/Crystal Malt - 80L (80.0 SRM) Grain 3.75 % 8.0 oz Wheat, Flaked (1.6 SRM) Grain 3.75 % 4.0 oz Caramel/Crystal Malt -120L (120.0 SRM) Grain 1.88 % 1.1 oz Carafa III (525.0 SRM) Grain 0.53 % 2.00 oz Williamette [4.60 %] (60 min) Hops 26.8 IBU 1.00 oz Williamette [4.60 %] (Dry Hop 10 days) Hops - 1.00 oz Williamette [5.50 %] (30 min) Hops 12.3 IBU 1 Pkgs Burton Ale (White Labs #WLP023) [Starter 500 ml] Yeast-Ale
Beer Profile
Est Original Gravity: 1.056 SG	Measured Original Gravity: SG
Est Final Gravity: 1.015 SG	Measured Final Gravity: SG
Estimated Alcohol by Vol: 5.29 %	Actual Alcohol by Vol: %
Bitterness: 39.0 IBU	Calories: cal/pint
Est Color: 13.2 SRM	Color: Color
Mash Profile
Mash Name: Single Infusion, Medium Body	Total Grain Weight: 13.32 lb
Sparge Water: 1.97 gal	Grain Temperature: 72.0 F
Sparge Temperature: 168.0 F	TunTemperature: 72.0 F
Adjust Temp for Equipment: FALSE	Mash PH: 5.4 PH
Single Infusion, Medium Body Step Time Name Description Step Temp 60 min Mash In Add 16.65 qt of water at 165.9 F 154.0 F 10 min Mash Out Add 9.32 qt of water at 196.6 F 168.0 F

Pretty Glass for pot&kettle

Last weekend I bottled up the pot&kettle, batch 2, a brew session that has been filmed, tweeted and pics posted on Facebook by French Oak TV. Ah, my 15 minutes of mini-fame!

I ended up with 11 gallons of the black stuff so I had to put the call in to Dan V (of VeeVee) to help supply me with the additional glass I needed. I was quite happy to hear that he continues to set aside glass for me. Esther and I were all to happy to hop in to the car and make the short trip to JP to see the very hospitable Dan and Kristen and to enjoy yet another fantastic dinner. Aside from the satisfying food, Dan always keeps a very tight and thoughtful beer list...on this cold Boston night, it was good to see the Nogne O #100 flying out from the behind the bar. Each bottle of #100 Dan sent out generated yet another smirk. It clearly pleased him to know he was helping others enjoy some very special craft beer. I know that smile well, as I'm often wearing it myself.

Esther and I finished with dinner with their fantastic coconut cream pie (perfect amount of subtle sweetness in the silky cream, delicate use of lime, hardy biscuity crust).

As we pushed back from our plates, Dan bestowed 3 boxes of some very Pretty glass...I do hope that these repurposed vessels bring even a portion of the great fortune to Trillium that has rightfully been received in their original incarnation.

So, back to the bottling...10 (11?) gallons is the limit of my condo kitchen cum brewery, which is just fine, because wrangling and sanitizing enough bottles for this much beer is an undertaking that requires some planning and the laboriously kitchen sink hogging de-labelling process, in the case of new glass. Thankfully, I can reuse the first batch pot&kettle glass, with labels fully intact and unfazed by the dishwasher's intense heat cycles.

Initial taste of the green pot&kettle tells me that the change in yeast to the Burton strain may have had a significant impact on the finished product: a much more estery/fruity nose, which enhances the rich malt profile. Layer after layer of roast filled the bottling bucket. Virtually no hard acridity on the palate...just a subtle, drying char in the aftertaste. Attenuation was likely less than that cranked out by the Nottingham, but some residual body and sweetness might be an incremental improvement. I'll take a gravity reading on the test bottle to confirm FG.

I rarely will send out any bottles as gifts before I'm 100% confident in the quality/proper bottle conditioning, but given the proximity to the holidays, a number of them are going out with proper instruction to store at room temp and to wait at least 1 month before sampling, and preferably 6, if at all possible. It feels strange to give gifts with instructions and caveats, but its more difficult for me to see these beers enjoyed at anything less than their full potential.

elemental sneak peek

Made some major leaps tonight...given that there really wasn't much beery stuff for me to do. Since:

1. every last ounce of fermentation capacity is currently occupied
2. I spent last night celebrating my good buddy's birthday at Lord Hobo, both pregaming and postgaming with some SPA and Leon
3. the lady friend has been away from home at a training for her new job

I wiggled my way back through 128/Rte. 2/Storrow Drive/BU/Brookline traffic, grabbed a burrito from Boca Grande, and hunkered down for the eve at home. Definitely strung together way too many hours sitting in front of the computer tonight, but I've now effectively force fed myself the (only the most basic of) elements of... premiere elements.

So, all of that sneek peek posting from a while back will eventually come to cinematic fruition. It was actually kinda in doubt for a while there...this adobe software was kickin' my butt.

I'm certain that I've got many more hours ahead of me on this, but I think I'll be quite proud of my efforts at the end of the day. I'm not going to go so far as to fully describe what I've got planned here, but there is, in fact, a plan.

And yes, it does involve beer.

pot&kettle, batch 2 with a new yeast strain...brewed...on film?

I've had a lot of requests for the crowd favorite oatmeal stout that made its first appearance at my wedding a few short months ago, and I finally was able to crank out a 10 gallon batch yesterday. I only made one change to the recipe, but it was a major one...this iteration of pot&kettle is currently fermenting with Burton ale yeast (wlp023). In response to a question about experience with this strain, I posted today on BeerAdvocate my rationale for choosing this yeast for this beer, vs. the prior dry Nottingham used in the early iteration, so I'll just copy and paste what I wrote:

I brewed an oatmeal stout last night, wanted to see if I could get a bit more english yeast character out of it vs. the dry nottingham ive used in the past. I was also looking for slightly less attenuation than the nottingham, given there are no crystal malts in my recipe, and I thought just a smidge more maltiness would fit in nicely.

I want a british 'house' yeast strain to work with, for mid-gravity british style beers... something that would be pretty expressive, but not so attenuative as to dry out the beer too much. Something that would be well suited to ESB, porters, english IPAs, etc. and the white labs description sounded like it could serve just that purpose:
http://www.whitelabs.com/beer/stra ... lp023.html

giving up a little bit of the floc character vs. 002, but maybe getting a bigger ester profile and better attenuation. I've used 005 and 013, but didn't get as much flavor as I had hoped for in those strains. the first whiffs from the starter are giving me more of what I've been looking for, so fingers are crossed.

The brew day went as smoothly as it would have, given the cameras were rolling...so, my consistent foreshadowing of how oats can lead to a stuck sparge seemed to precipitate...guess what...yep, a stuck sparge. Or, a super duper ultra slow sparge. Which is especially painful when you are being filmed as a homebrewer with any kind of credibility. Oh well, I guess the segment will better highlight the fact that things can and do go wrong when brewing...you just...well, RDWHAHB. And, diagnose the problem, so it doesn't happen next time. Next time, I won't brew a 10 gallon recipe of oatmeal stout...my system can't handle all that grain, and still allow enough head space for a serious dose of hot liquor for mashing out.

What's all this talk about 'cameras were rolling' and 'being filmed'?

Right, so... (a phrase I fear I uttered with great regularity in response to Summer's questions)...I contacted French Oak Media about a month ago to see if they had any interest in doing a short segment on homebrewing, given that I live in Brookline, and they are producing spots about the local wine, beer and spirits scene. I thought..."hey, I'm a homebrewer, and what could be more local and topical to their show than a guy who might be your next door neighbor, brewing up some beer?' Turns out, they had discussed doing this very thing, so it was great timing that I contacted them.

Among others, I've enjoyed FOM's prior pieces on Cambridge Brewing Company, Mayflower, Harpoon, Sam Adams and Pretty Things, so its quite a bit of fun to be able to somehow included in such a venerable group.

Right, so... the shoot was yesterday, and aside from the gummed up lauter, I had a great time with Ray and Summer. They are genuinely interested in brewing, and it was great fun to see the light bulbs illuminating over their heads, as they started to better understand the process of brewing. I could actually see the bulbs lighting up, as they were literally able to put their hands right in to it. They were very complimentary of the beers I shared with them, and I can tell are just all around good people. It'll be fun to see what they were able to capture from the day, but for now I'll leave you with a couple images, starting out with the glass bowls of malt and specialty grain set out, cooking-show-style, waiting for the shoot to start.

LEON label, 2.0

Getting closer...I stayed truer to the layout that Kevin and I created for the pot & kettle.

Still needs a background, like I mentioned before. Still too much negative space, leon needs some dimension, he's just sort of floating out there. Maybe the impression of depth using a washed out, weathered looking wide wooden plank wall, like you might see in a barn. Or maybe just some ground for Leon to stand on, a bit of mud perhaps. Still need to play with the the colors a bit more, as it needs a little more life, but staying in those soothing earthiness tones. I wanted to add a hop cone or cones in there somewhere...this is a DIPA after all.

Changed the font for Leon, too...sort of similar to goose island's Belgian style ales series, like their Juliet. The one I have for now is just...umm, a whole lot more generic.

Did a little better in word, and now I'm able to get a bigger picture...try clicking on it too, for a closer look. Still working on the left panel 'blurb', what's there now is just a placeholder...you may notice the duplicitous use of the phrase 'pig out'. I don't even really want to use it in there, actually.

Quad rescue attempt

Ok. Its been nearly 6 months since I've determined the quad just wasn't anywhere near a beer that I'd drink, nor offer to a guest. I decided at that point that I'd take this very underattenuated beer (~1.035), and try a sour rescue. Well, I'm just getting around to it now. But first, I'm guessing that I made one critical mistake...too small of a pitching rate. I don't have adequate notes, but I remember making maybe a 1liter starter (non stir plate). Not even close to enough, per the mrmalty.com pitching rate calculator. The beer seemed to ferment fairly aggressively to start, but it just stalled well before the target FG was reached.

Jump ahead now to earlier this week, I made a 1.040 100g DME/ 1000ml starter of wlp655 and let it ferment out for four days. As you can see by clicking through the link, this blend of microbes includes the usual ale yeast Saccharomyces, as well as what is considered a 'beer spoilage' organism in non-wild beers: Brettanomyces. I'm not sure if its a single strain of Brett, but I'm leaving some faith that the White Labs folks know their stuff. The blend also contains some souring microbes that will add organic acids, among other critical aromatic compounds that round out the complexities commonly found in these types of sours. From the recommendation of the mad fermentationist, I didn't use the stir plate beyond some initial aeration, as the pedio + lacto bacteria thrive in a anaerobic environment, and I really want these guys to contribute a significant sourness to this beer. If you are looking for a book that can help form a basis for understanding wild ales, and their related culture, take a look at Wild Brews. My sister Chelynn actually gave this fantastic book to me last Christmas, and has been read in regular intervals since. Really, the only thing that has kept me from going wild until now has been the extended aging that is required to properly develop the flavors of these beers, which...now several years later since I first had the inclination to brew wild, seems like I made a poor choice. I could have a healthy stash of some of my favorite beer styles really starting to come in to their own. Oh well. 2011 looks to be a good beer year for me.

So, the (purported to be wlp001 cali) ale yeast took off in ~12 hours, and the krausen fell in ~2 days. I took a sniff at that point, and I already am getting some musty, barny type smells from the brett, completely unlike what I get from a typical starter. Hmmmm, I have a feeling my carboy fleet is about to grow significantly in size...these wild ales really chew up conditioning capacity due to the extended secondary required for the relatively slow growing bugs to do their thing.

I took the next step with the sour mix starter...I uncorked three of the corked and caged quad 750s and added them to a one gallon jug with the starter. The next AM, the airlock was active...a definite krausen had reformed, and CO2 bubbling up through the beer could be seen in the jug. I suspect the hardy Cali sacch yeast had restarted on the residual sugars left behind by the inadequate primary ferment.

Tonight, I went through the painful task of slowly pouring the rest of the bottles in to my bottling bucket, doing my best to not aerate the beer too much.

This beer smells phenomenal, and its really a shame that the fermentation was sub par underattenuated mess...figs, prunes, dark caramelized sugars all over the place. faint whiff of warming alcohol, rich sherry and port notes, perhaps giving the impression of brandy soaked sour cherries...this all without the aid of volatilization from CO2 fizz. I'm hoping that these aged aromatics aren't driven off by this restarted ferment and are minimally oxidized by all this less than ideal handling of the beer.

So, now I'm hoping to wake up to the krausen reformed in the carboy, as I saw in the 1 gallon jug, but the true test of patience will be holding off taking samples until the pellicle drops which may be as long as 6-12 months (photo from madfermentationist.blogspot.com...I hope to have my own image soon.)

Almost forgot to mention...after primary krausen falls, I will soon add ~1.5 oz of boiled sanitized medium toast french oak 1. to (theoretically) give the bugs at least some square footage to set up camp (they also are said to metabolize some of the sugars in the oak, though this must be a very, very small percentage of fermentables, but more importantly, 2. to add a background barrel character. If I can get anywhere in the neighborhood of Stille Nacht, I'll be exceedingly pleased.

4/8/10 - 600ml of cultured up dregs oro de calabaza, consecration and fantome printemp added.

4/24/10 - positive pressure on S-shaped airlock is obvious. random bubbly film forming on surface. pellicle formation finally starting. I need to add some oak to this beer.

LEON label concept

Oh man...it is so frustrating to work in microsoft word to design labels...I wanted to create the .pdf so I could rotate the image on the screen (couldn't do this in word, had to work with my head tilted the whole time). You can't, apparently. All kinds of things go haywire...images disappear entirely, there's this weird crosshatching in one text box, and went all wacko. Figuring it had to do with my free .pdf printing utility, I tried to print it out on paper. Nope, more haywire stuff.

I could, however, at least take a screen shot, so that's what I have for now to post. Hopefully, I'll get more learned in some graphic design software.

I did, however, figure out how to make my very own Leon logo (sort of) from a photograph of the pig that inspired the beer.

Open up photoshop (I have the 'elements' version, which is the stripped down from the pro version) and bring up picture of a pig:

First, use the 'quick selection' tool, to select all the areas around the subject, in this case, the handsome Leon. Delete these sections as you go. You can see that Leon's front foreleg is cut off by his tasty, albeit lazier roomate. No problem, use the quick selection tool on the other hamhock, copy and paste it, increase the size a bit to make it appropriate scale. Now that you've knocked out the noisy background, and added back the leg, reduce color saturation to zero, to make a black and white image. Increase contrast to 100%, then posterize until you have only two colors...black and white. I tried using the sumi-e brush effects tool, but I liked what I got from the aforementioned manipulations to not need that extra step.

Flip him around 180 degrees, and this is what you end up with.

Using various text boxes, a UPC code image I downloaded from the 'net, fonts downloaded from dafont.com, I whipped this up in about 2 hours. Alot of that was learning curve on the photoshop plus sifting through fonts, though.

What do you think? First, I tried to get the label image to appear bigger than below, but just the perfect storm of the limitations of Word, MS Paint, and Blogger software, I guess. Anyhow, the label layout is too small for a 22oz bottle (its only 4x5inches), so I'll need to redo it on a larger Word template, and that's OK. I just wanted to get the concept down. Feels like its missing some sort of background, maybe a wide-wooden slat type of wooden barn feel, or something, but I really like where this one is going.